摘 要
古代文论中的“意境”说作为中国古典美学的核心范畴之一，对文学创作与批评具有深远影响。本文以“意境”说为研究对象，探讨其理论渊源、内涵演变及其在古代文论体系中的地位。研究基于传统文献梳理与现代美学理论的结合，通过文本细读与比较分析，揭示“意境”说从先秦哲学萌芽到唐宋诗学成熟再到明清文艺理论深化的发展脉络。研究表明，“意境”不仅是一种艺术表现手法，更体现了中国古代文人对自然、人生与宇宙的深刻体悟。文章创新性地提出“意境”说的三层结构模型，即“象外之象”的形式层面、“情景交融”的情感层面以及“天人合一”的哲学层面，从而为理解这一概念提供了更为系统的框架。此外，本文还通过跨文化视角，将“意境”与中国传统道家思想及西方现象学理论进行对照，进一步凸显其独特价值。研究结论表明，“意境”说不仅是古代文论的重要组成部分，也为当代文艺创作与批评提供了富有启发性的理论资源，其跨学科意义值得进一步挖掘。
关键词：意境；古代文论；情景交融；天人合一；跨文化比较
Abstract
As one of the core categories of Chinese classical aesthetics, the theory of "Yijing" has exerted profound influence on literary creation and criticism. This article takes the theory of "Yijing" as its research ob ject, exploring its theoretical origins, the evolution of its connotations, and its position within the system of ancient literary theory. The study is based on a combination of traditional textual analysis and modern aesthetic theory, employing close reading and comparative analysis to reveal the developmental trajectory of "Yijing" from its philosophical germination in pre-Qin thought, through its maturation in Tang and Song poetic theory, to its deepening in Ming and Qing literary discourse. The findings indicate that "Yijing" is not merely an artistic ex pression technique but also reflects the profound insights of ancient Chinese literati into nature, life, and the universe. This article innovatively proposes a three-layer structural model of "Yijing," consisting of the formal level of "images beyond images," the emotional level of "fusion of scene and sentiment," and the philosophical level of "harmony between heaven and humanity," thus providing a more systematic fr amework for understanding this concept. Furthermore, through a cross-cultural perspective, the article compares "Yijing" with traditional Daoist thought in China and phenomenological theory in the West, further highlighting its unique value. The conclusion suggests that the theory of "Yijing" is not only a significant component of ancient literary theory but also offers enlightening theoretical resources for contemporary artistic creation and criticism, with its interdisciplinary significance warranting further exploration.
Keywords：Ambience；Ancient Literary Theory；Integration Of Scenery And Emotion；Unity Of Heaven And Humanity；Cross-cultural Comparison
目 录
引 言 1
第一章 “意境”说的源流考辨 2
1.1 古代文论中的源流 2
1.2 先秦至魏晋的萌芽与发展 2
1.3 唐宋时期的成熟与定型 3
第二章 “意境”说的理论内涵 4
2.1 意境的本质特征分析 4
2.2 意境的构成要素探讨 4
2.3 意境的审美价值阐释 5
第三章 “意境”说的表现形式 2
3.1 诗歌创作中的意境呈现 2
3.2 绘画艺术中的意境表达 2
3.3 音乐作品中的意境体现 3
第四章 “意境”说的现代意义 4
4.1 意境理论的当代传承 4
4.2 意境思想的跨文化影响 4
4.3 意境观念的创新发展 5
结 论 6
参考文献 7
致 谢 8
