摘 要
中国古典诗歌作为中华文化宝库中的璀璨明珠，蕴含着丰富的自然意象与人文情怀。本研究旨在深入探讨二者之间的内在联系及其文化价值。通过对先秦至明清时期代表性诗作的系统梳理，结合文献分析法和文本细读法，从哲学思想、美学观念及社会历史背景等多重视角进行剖析。研究发现，自然意象不仅是诗人表达情感的重要载体，更承载着深厚的文化内涵与精神寄托，体现了古人“天人合一”的宇宙观。同时，不同朝代的自然意象呈现出鲜明的时代特征，反映了当时的社会风貌与文人心态。本研究创新性地构建了自然意象分类体系，并首次将生态批评理论引入古典诗歌研究领域，为理解古代诗人如何通过自然景观抒发个人志向、家国情怀提供了新视角。研究结果表明，中国古典诗歌中的人文情怀与自然意象相辅相成，共同构成了独特的东方审美体系，不仅对当代文学创作具有重要启示意义，也为传承和弘扬中华优秀传统文化提供了理论依据。
关键词：自然意象；人文情怀；古典诗歌；天人合一；生态批评理论
Abstract
Chinese classical poetry, as a brilliant gem in the treasure house of Chinese culture, is rich in natural imagery and humanistic sentiment. This study aims to explore the intrinsic connection between these two elements and their cultural value. By systematically examining representative poetic works from the pre-Qin period to the Ming and Qing dynasties, and employing both documentary analysis and close reading methods, this research analyzes the subject matter from multiple perspectives, including philosophical thought, aesthetic concepts, and socio-historical contexts. The findings reveal that natural imagery not only serves as a crucial medium for poets to express emotions but also carries profound cultural significance and spiritual寄托, reflecting the ancient Chinese cosmology of "harmony between heaven and humanity." Moreover, natural imagery from different dynasties exhibits distinct era-specific characteristics, mirroring the social landscape and mentalities of literati during those periods. Innovatively, this study constructs a classification system for natural imagery and introduces ecocritical theory into the field of classical poetry research for the first time, offering new insights into how ancient poets expressed personal aspirations and national sentiments through natural scenery. The results indicate that the humanistic sentiment and natural imagery in Chinese classical poetry are mutually reinforcing, together forming a unique Eastern aesthetic system. This not only provides significant inspiration for contemporary literary creation but also offers theoretical support for the inheritance and promotion of excellent traditional Chinese culture.
Keywords：Natural Imagery；Humanistic Sentiment；Classical Poetry；Unity Of Heaven And Man；Ecocriticism Theory
目 录
摘 要 I
Abstract II
引 言 1
第一章 自然意象的审美特征 2
1.1 自然意象的定义与分类 2
1.2 山水意象的美学价值 2
1.3 动植物意象的情感表达 3
第二章 人文情怀的表现形式 4
2.1 诗人心中的家国情怀 4
2.2 个体生命的哲思体现 4
2.3 社会现实的批判意识 5
第三章 自然与人文的交融关系 6
3.1 自然景物中的人文寄托 6
3.2 人文情感对自然意象的塑造 6
3.3 和谐共生的艺术呈现 7
第四章 自然意象与人文情怀的时代演变 8
4.1 先秦至唐的意象发展轨迹 8
4.2 宋元时期的诗意转变 8
4.3 明清以降的文化传承 9
结 论 10
参考文献 11
致 谢 12
