摘 要
《牡丹亭》作为明代戏曲家汤显祖的代表作之一，不仅是中国古典戏曲艺术的巅峰之作，也是世界文学宝库中的瑰宝。本研究以《牡丹亭》为对象，探讨其在戏曲艺术领域的成就及其对后世的影响。研究基于文本细读与历史语境分析相结合的方法，从剧本结构、人物塑造、语言艺术及音乐表现等方面展开系统性考察。通过对比同时期及其他时代的戏曲作品，揭示《牡丹亭》在情节构思上的创新性和思想内涵的深刻性。研究表明，《牡丹亭》突破了传统戏曲中程式化的叙事模式，以“情”为核心构建了一个充满诗意与哲理的艺术世界。其人物形象鲜活立体，语言优美且富有音乐性，展现了高度的艺术成就。此外，研究还发现《牡丹亭》在舞台表演和音乐设计上具有独特的贡献，为后世戏曲创作提供了重要借鉴。最终得出结论：《牡丹亭》以其卓越的艺术表现力和深邃的思想内容，奠定了其在中国戏曲史上的不朽地位，并对当代戏曲理论研究和实践创新具有重要的启示意义。
关键词：汤显祖；《牡丹亭》；戏曲艺术成就；人物塑造；音乐表现
Abstract
"The Peony Pavilion," one of the representative works by Ming dynasty playwright Tang Xianzu, is not only a pinnacle of Chinese classical opera art but also a treasure in the world's literary repository. This study focuses on "The Peony Pavilion" to explore its achievements in the field of opera art and its influence on later generations. By employing a methodology that combines close textual reading with historical contextual analysis, the research conducts a systematic examination of the play’s structural design, character portrayal, linguistic artistry, and musical ex pression. Through comparative analysis with other operatic works from the same period and different eras, the study reveals the innovative nature of "The Peony Pavilion" in plot construction and the profundity of its ideological content. The findings indicate that "The Peony Pavilion" transcends conventional narrative patterns in traditional opera by centering on the concept of "qing" (emotion), thereby creating an artistic world imbued with poetry and philosophy. Its characters are vivid and multidimensional, while its language is elegant and rich in musicality, demonstrating remarkable artistic accomplishment. Additionally, the study highlights the unique contributions of "The Peony Pavilion" in stage performance and musical composition, providing significant reference for subsequent opera creations. Ultimately, it concludes that "The Peony Pavilion," with its outstanding artistic expressiveness and profound ideological substance, has established an immortal status in the history of Chinese opera and offers crucial insights for contemporary opera theory and practical innovation."
Keywords：Tang Xianzu；The Peony Pavilion；Opera Art Achievement；Character Creation；Musical ex pression
目 录
摘 要 I
Abstract II
第一章 绪论 1
1.1 研究背景与意义 1
1.2 研究方法与视角 2
第二章 戏曲语言的艺术魅力 3
2.1 曲词的文学性与抒情性 3
2.2 对白的生动性与戏剧性 3
2.3 语言风格的多样性与统一性 4
第三章 舞台表现的艺术创新 6
3.1 唱腔设计的独特性 6
3.2 动作表演的象征性 6
3.3 舞台布景的诗意化 7
第四章 主题表达与文化内涵 8
4.1 生死观念的艺术呈现 8
4.2 情感主题的深度挖掘 8
4.3 文化传统的现代诠释 9
结 论 10
参考文献 11
致 谢 12
