摘 要
《红楼梦》作为中国古典文学的巅峰之作,其叙事艺术与结构布局历来备受学界关注。本文旨在通过对《红楼梦》叙事手法及文本结构的深入剖析,揭示其独特的艺术魅力及其对中国乃至世界文学的影响。研究采用文本细读与比较分析相结合的方法,从叙事视角、时间处理、空间构建以及人物塑造等多个维度出发,系统探讨了《红楼梦》中复杂而精妙的故事编织技巧。结果表明,《红楼梦》不仅在叙事策略上展现出高度创新性,如通过多重视角转换增强故事层次感,利用非线性时间叙述打破传统叙事模式等;同时,在整体架构设计方面也体现了作者曹雪芹对于小说形式探索的前瞻性思考,特别是“真事隐去”与“假语村言”的巧妙运用,使得整部作品既具有深厚的历史文化底蕴,又不失为一部充满现代意识的小说杰作。本研究的主要贡献在于,它不仅深化了对《红楼梦》叙事艺术的理解,还为中国古代小说理论体系的构建提供了新的视角和思路,对于促进跨文化背景下文学交流与对话具有重要意义。
关键词:叙事艺术 结构布局 多重视角
Abstract
As a pinnacle of Chinese classical literature, Dream of the Red Chamber has long been the focus of scholarly attention for its narrative art and structural layout. This paper aims to uncover the unique artistic charm of Dream of the Red Chamber and its influence on both Chinese and world literature through an in-depth analysis of its narrative techniques and textual structure. The study employs a combination of close reading and comparative analysis, systematically exploring the intricate and sophisticated story-weaving techniques from multiple dimensions such as narrative perspective, temporal handling, spatial construction, and character development. The findings indicate that Dream of the Red Chamber not only demonstrates high innovation in narrative strategies, such as enhancing the layering of the story through multiple perspective shifts and breaking traditional narrative patterns with non-linear time narration, but also reflects the author Cao Xueqin's forward-thinking exploration of novel forms in the overall architectural design, particularly the ingenious use of "concealing the truth" and "village talk," which endows the work with profound historical and cultural depth while also making it a masterpiece imbued with modern consciousness. The primary contribution of this research lies in deepening the understanding of the narrative art of Dream of the Red Chamber and providing new perspectives and approaches for the construction of the theoretical fr amework of ancient Chinese novels, which is of significant importance for promoting literary exchange and dialogue in a cross-cultural context.
Keyword:Narrative art Structural layout Multiple perspectives
目 录
1 引言 1
2 叙事视角与叙述者 2
2.1 全知全能的叙事视角 2
2.2 限知视角的应用 2
2.3 叙述者的多重身份 3
3 时间与空间的构建 3
3.1 时间线索的交错 3
3.2 空间布局的艺术 4
3.3 时空转换的技巧 5
4 情节结构与主题呈现 5
4.1 主线与副线的交织 5
4.2 情节推进的手法 6
4.3 主题思想的多层次表达 6
5 结论 7
参考文献 8
致谢 9