摘 要
莫言的《生死疲劳》作为一部融合民间叙事与魔幻现实主义的经典作品，为探讨中国当代文学中的文化重构提供了重要视角。本研究以《生死疲劳》为对象，基于叙事学理论和文化研究方法，分析其如何通过民间传说、历史记忆和地方性知识实现叙事重构。研究旨在揭示文本中民间叙事的独特表达方式及其对主流叙事模式的挑战与补充，同时探讨其在后现代语境下的文化意义。通过对小说结构、语言风格及主题意蕴的深入剖析，本文发现，《生死疲劳》不仅延续了中国传统民间叙事的精髓，还通过循环转世的叙事框架和多声部叙述策略，创造性地将个体命运与集体记忆交织在一起，从而形成了一种全新的叙事范式。这一范式的构建不仅丰富了中国当代文学的叙事理论，也为理解民间文化在现代化进程中的角色提供了新思路。
关键词：莫言；生死疲劳；民间叙事重构；魔幻现实主义；文化传承与创新
Reconstruction of Folk Narratives in Mo Yan's Life and Death Are Wearing Me Out
英文人名
Directive teacher:×××
Abstract
Mo Yan's "Life and Death Fatigue", as a classic work that combines folk narrative with magical realism, provides an important perspective for exploring the cultural reconstruction in contemporary Chinese literature. This study takes "Life and Death Fatigue" as the ob ject and, based on narratology theory and cultural research methods, analyzes how it achieves narrative reconstruction through folk tales, historical memories and local knowledge. The research aims to reveal the unique ex pression methods of folk narratives in the text and their challenges and supplements to the mainstream narrative mode, while exploring their cultural significance in the postmodern context. Through an in-depth analysis of the structure, language style and thematic connotation of the novel, this paper finds that "Life and Death Fatigue" not only continues the essence of traditional Chinese folk narratives, but also creatively interweaves individual destinies with collective memories through the narrative fr amework of cyclic reincarnation and the multi-part narrative strategy, thus forming a brand-new narrative paradigm. The construction of this paradigm not only enriches the narrative theory of contemporary Chinese literature, but also provides new ideas for understanding the role of folk culture in the process of modernization.
Keywords: Mo Yan；Life And Death Are Wearing Me Out；Folk Narrative Reconstruction；Magical Realism；Cultural Inheritance And Innovation
目 录
引言 1
一、民间叙事的文本基础 2
(一)《生死疲劳》的叙事框架 2
(二)民间故事的传统元素 2
(三)叙事重构的文化背景 3
二、叙事视角的民间化转换 3
(一)动物叙事的独特视角 3
(二)多重声音的交织呈现 4
(三)民间立场的叙事表达 4
三、民间信仰与叙事主题 5
(一)生死轮回的民间观念 5
(二)宗教信仰的文学转化 5
(三)主题深化中的民间智慧 6
四、民间叙事的艺术表现 6
(一)语言风格的民间特色 6
(二)叙事节奏的动态变化 7
(三)艺术手法的创新实践 7
结论 8
参考文献 9
致谢 9
