阿多诺音乐社会学视角下的流行音乐批判再审视 -音乐学专业

摘要

阿多诺的音乐社会学理论为理解现代音乐的文化与社会功能提供了重要视角，然而其对流行音乐的批判性立场在当代语境下需要重新审视。本研究以阿多诺的理论为基础，结合当代流行音乐的社会实践与文化特征，探讨其批判框架在当下的适用性与局限性。阿多诺对流行音乐的批判虽具有一定的历史合理性，但未能充分考虑音乐形式的多样性和受众的能动性。本研究进一步指出，当代流行音乐不仅承载着商业逻辑，也在特定情境中成为表达个体情感与集体意识的重要媒介。创新点在于将阿多诺的理论置于动态的社会文化语境中，拓展了其分析维度，并提出了融合受众研究与文本分析的新路径，为理解流行音乐的社会意义提供了更为全面的视角。这一研究不仅深化了对阿多诺理论的认识，也为当代音乐批评提供了新的理论支撑与实践指导。

关键词：阿多诺；流行音乐；批判理论；受众能动性；文化商业化

A Reexamination of Pop Music Critique from the Perspective of Adorno's Sociology of Music

英文人名

Directive teacher:×××

Abstract

Adorno's theory of music sociology provides an important perspective for understanding the cultural and social functions of modern music, but his critical stance on pop music needs to be re-examined in the contemporary context. This study is based on Adorno's theory, combined with the social practice and cultural characteristics of contemporary pop music, to explore the applicability and limitations of its critical fr amework in the present. Adorno's criticism of pop music has a certain historical rationality, but it fails to fully consider the diversity of music forms and the initiative of the audience. This study further points out that contemporary pop music not only carries commercial logic, but also becomes an important medium for expressing individual emotions and collective consciousness in specific situations. The innovative point is to place Adorno's theory in a dynamic socio-cultural context, expand its analytical dimension, and put forward a new path to integrate audience research and text analysis, providing a more comprehensive perspective for understanding the social significance of pop music. This study not only deepens the understanding of Adorno's theory, but also provides new theoretical support and practical guidance for contemporary music criticism.

Keywords: Adorno；Popular Music；Critical Theory；Audience Agency；Cultural Commercialization

引言 1

一、阿多诺音乐社会学的核心思想 1

(一)音乐的社会功能与文化批判 1

(二)标准化与流行音乐的商品化 2

(三)文化工业对艺术自主性的侵蚀 2

二、流行音乐的标准化现象分析 3

(一)流行音乐的生产模式与复制逻辑 3

(二)标准化对听众情感体验的影响 3

(三)技术媒介在流行音乐中的角色 4

三、流行音乐与个体自由的悖论 4

(一)流行音乐中的伪个性化现象 4