摘要：《聊斋志异》中的爱情故事一直是大家关注的焦点，其中还出现了一批女人，比如人狐之爱、人鬼之爱、人妖之爱等，她们共同组成了一个充满色彩的女人世界。《聊斋志异》中的婚姻爱情故事中的女性人物之所以具有这样的复杂性，其成因与当时的社会现实有着千丝万缕的联系，同时也是一个时代的政治、经济和思想等因素的综合作用的结果。另外，蒲松龄独特的创作理念与个人主义的艺术探索，为《聊斋志异》婚姻爱情故事中的女性人物塑造奠定了坚实的理论依据。尽管蒲松龄的人生困顿，但其抱负甚高，而由于对现实的无可奈何，他只好把自己的心灵寄托在幻想中的女子身上。因而，蒲松龄对妇女人物的各种创作方法都有很强的借鉴意义，从而使得妇女人物的形象更为丰满和生动。虽然《聊斋志异》在描写婚姻爱情方面的妇女人物并未达到妇女的真正自由，但在这一点上，妇女的先进思想却为后人的妇女解放打下了坚实的理论和实践基础，同时也对后来的文学和戏曲造成了深刻的影响。
关键词：《聊斋志异》；女性形象；社会基础；创作思想；塑造艺术
Abstract： The love story in "Liaozhai Zhi Yi" has always been the focus of everyone's attention, and a group of women have also appeared, such as the love of human foxes, the love of human ghosts, the love of shemales, etc., and they together form a world of women full of color. The reason why the female characters in the marriage and love story in "Liaozhai Zhi Yi" have such complexity is inextricably linked with the social reality of the time, and it is also the result of the comprehensive effect of political, economic and ideological factors of an era. In addition, Pu Songling's unique creative concept and individualistic artistic exploration have laid a solid theoretical basis for the female character shaping in the marriage and love story of "Liaozhai Zhi Yi". Although Pu Songling's life is difficult, his ambitions are very high, and because of his helplessness to reality, he has to put his heart on the fantasy woman. Therefore, Pu Songling has strong reference significance for various creative methods of women's figures, so as to make the image of women's characters fuller and more vivid. Although the depiction of women characters in marriage and love did not achieve the true freedom of women, in this regard, women's advanced ideas laid a solid theoretical and practical foundation for women's liberation for later generations, and also had a profound impact on later literature and opera.
Key words: "Liaozhai Zhi Yi"; female figure; social foundation; creative ideas; Shaping art
目 录
1 引言 1
2《聊斋志异》婚恋小说中女性形象系列 1
2.1人狐之恋中的女性形象 1
2.2人鬼之恋中的女性形象 2
2.3人人恋中的女性形象 2
3《聊斋志异》婚恋小说中女性形象形成的社会基础 3
3.1明清易代与君主专制的强化 3
3.2资本主义萌芽与市民阶层的兴起 3
3.3新旧思想交替与女性意识的觉醒 4
4《聊斋志异》婚恋小说中女性形象与蒲松龄的创作思想 4
4.1个性化的艺术追求 4
4.2既守旧又开放的矛盾思想 5
4.3落魄士人的白日梦 5
5《聊斋志异》婚恋小说中女性形象的塑造艺术 5
5.1曲折奇峭的情节 5
5.2鲜明的人物性格特征 6
5.3简练生动的语言描写 6
6 结论 7
参考文献 9
关键词：《聊斋志异》；女性形象；社会基础；创作思想；塑造艺术
Abstract： The love story in "Liaozhai Zhi Yi" has always been the focus of everyone's attention, and a group of women have also appeared, such as the love of human foxes, the love of human ghosts, the love of shemales, etc., and they together form a world of women full of color. The reason why the female characters in the marriage and love story in "Liaozhai Zhi Yi" have such complexity is inextricably linked with the social reality of the time, and it is also the result of the comprehensive effect of political, economic and ideological factors of an era. In addition, Pu Songling's unique creative concept and individualistic artistic exploration have laid a solid theoretical basis for the female character shaping in the marriage and love story of "Liaozhai Zhi Yi". Although Pu Songling's life is difficult, his ambitions are very high, and because of his helplessness to reality, he has to put his heart on the fantasy woman. Therefore, Pu Songling has strong reference significance for various creative methods of women's figures, so as to make the image of women's characters fuller and more vivid. Although the depiction of women characters in marriage and love did not achieve the true freedom of women, in this regard, women's advanced ideas laid a solid theoretical and practical foundation for women's liberation for later generations, and also had a profound impact on later literature and opera.
Key words: "Liaozhai Zhi Yi"; female figure; social foundation; creative ideas; Shaping art
目 录
1 引言 1
2《聊斋志异》婚恋小说中女性形象系列 1
2.1人狐之恋中的女性形象 1
2.2人鬼之恋中的女性形象 2
2.3人人恋中的女性形象 2
3《聊斋志异》婚恋小说中女性形象形成的社会基础 3
3.1明清易代与君主专制的强化 3
3.2资本主义萌芽与市民阶层的兴起 3
3.3新旧思想交替与女性意识的觉醒 4
4《聊斋志异》婚恋小说中女性形象与蒲松龄的创作思想 4
4.1个性化的艺术追求 4
4.2既守旧又开放的矛盾思想 5
4.3落魄士人的白日梦 5
5《聊斋志异》婚恋小说中女性形象的塑造艺术 5
5.1曲折奇峭的情节 5
5.2鲜明的人物性格特征 6
5.3简练生动的语言描写 6
6 结论 7
参考文献 9
