摘 要
《千里江山图》作为北宋时期的巅峰之作，以其宏大的构图和精妙的细节展现了中国传统山水画的空间叙事与视觉逻辑。本研究以该画作为核心对象，结合艺术史、空间理论与视觉文化分析方法，探讨其在空间构建与观者互动中的独特机制。研究背景基于宋代绘画从宫廷审美向多元表达的转变，以及传统山水画对“可行、可望、可游、可居”理念的追求。通过细致的形式分析与跨学科视角，本文揭示了《千里江山图》如何运用散点透视、层叠布局与动态路径设计，创造出既符合自然规律又超越现实的空间体验。研究结果表明，该作品不仅体现了宋代画家对宇宙秩序的理解，还通过复杂的视觉引导实现了观者的沉浸式参与。创新点在于首次将现代空间叙事理论引入对传统山水画的研究，并提出“流动视域”的概念，用以阐释画面中时间与空间的交织关系。这一研究为理解中国古代艺术的空间观念提供了新视角，同时深化了对传统绘画视觉逻辑的认知，为相关领域的进一步探索奠定了基础。
关键词：千里江山图；空间叙事；流动视域；散点透视；宋代绘画
Spatial Narratives and Visual Logic in the "Thousand Li of Rivers and Mountains"
英文人名
Directive teacher:×××
Abstract：As a masterpiece of the Northern Song Dynasty, A Thousand Li of Rivers and Mountains demonstrates the spatial narrative and visual logic of traditional Chinese landscape painting through its grand composition and intricate details. This study takes the painting as its core ob ject, integrating methodologies from art history, spatial theory, and visual culture analysis to explore its unique mechanisms in spatial construction and viewer interaction. The research context is rooted in the transformation of Song dynasty painting from court aesthetics to diversified ex pression, as well as the traditional pursuit of the concept of "traversable, observable, explorable, and habitable" landscapes. Through meticulous formal analysis and an interdisciplinary perspective, this paper reveals how A Thousand Li of Rivers and Mountains employs techniques such as scattered perspective, layered arrangement, and dynamic path design to create a spatial experience that conforms to natural laws while transcending reality. The findings indicate that the work not only reflects Song painters' understanding of cosmic order but also achieves immersive viewer participation through sophisticated visual guidance. An innovation of this study lies in its introduction of modern spatial narrative theory into the analysis of traditional landscape painting, proposing the concept of "flowing visual field" to interpret the interwoven relationship between time and space within the painting. This research provides a new perspective for understanding spatial concepts in ancient Chinese art and deepens the cognition of the visual logic in traditional painting, laying a foundation for further exploration in related fields.
Keywords: Qianli Jiangshan Tu；Spatial Narration；Flowing Perspective；Scattered Point Perspective；Song Dynasty Painting
目 录
引言 1
一、《千里江山图》的空间结构分析 1
(一)图卷的整体空间布局 1
(二)山水空间的层次构建 2
(三)空间中的虚实关系 2
二、《千里江山图》的叙事逻辑探讨 3
(一)叙事线索的视觉呈现 3
(二)场景转换与故事连贯性 3
(三)叙事视角的选择与运用 4
三、《千里江山图》的视觉引导机制 5
(一)视线流动的设计策略 5
(二)色彩在视觉引导中的作用 5
(三)符号元素对观者视线的影响 6
四、《千里江山图》的文化意蕴与空间表达 6
(一)空间叙事中的文化符号 6
(二)视觉逻辑与传统美学思想 7
(三)图卷空间的文化寓意解读 7
结论 8
参考文献 9
致谢 9
