题目:扬琴演奏的二度创作过程的研究
摘要:本研究以扬琴演奏的二度创作过程为研究对象,通过对国内外相关研究的梳理和分析,探讨了扬琴演奏的基本概念、特点以及二度创作的定义和重要性。同时,对扬琴演奏二度创作的基本要素和方法进行了详细的阐述。在实践案例分析中,选取了《渔舟唱晚》、《高山流水》等曲目进行深入剖析,并发现了在扬琴演奏的二度创作过程中存在的问题,如对作品理解不足、技巧运用不当以及缺乏个性特点等。针对这些问题,提出了深入理解作品、技巧与情感结合以及发挥个人风格的建议。
关键词:扬琴演奏,二度创作,基本概念
Abstract:This study takes the process of dulcimer performance's second creation as the research ob ject, and discusses the basic concept, characteristics and the definition and importance of the second creation of dulcimer performance by combing and analyzing the relevant researches at home and abroad. At the same time, the basic elements and methods of dulcimer performance second creation are elaborated in detail. In the practice case analysis, the three pieces "Fishing boat Singing Night", "High Mountain and flowing Water" and "Jasmine Flower" are selected for in-depth analysis, and the problems existing in the second creation process of dulcimer performance are found, such as insufficient understanding of the work, improper use of skills and lack of personality. In response to these problems, the author puts forward some suggestions on understanding the works deeply, combining skills and emotions, and exerting personal style.
Key words:Dulcimer performance, second creation, basic concept
目录
题目:扬琴演奏的二度创作过程的研究 1
摘要: 1
1 绪论 2
1.1研究背景和目的 2
1.2国内外研究现状 2
1.3研究内容与方法 2
2.扬琴演奏二度创作概述 3
2.1扬琴演奏的基本概念和特点 3
2.2二度创作的定义和在音乐表演中的重要性 3
2.3扬琴演奏二度创作的基本要素和方法 4
3.扬琴演奏二度创作的过程分析 4
3.1理解原作阶段 4
3.2创作构思阶段 5
3.3实施创作阶段 5
4.扬琴演奏二度创作的实践案例分析 6
4.1.《渔舟唱晚》 6
1.创作构思阶段 6
2.实施创作阶段 6
4.2《高山流水》 6
1.创作构思阶段 6
2.实施创作阶段 7
5.扬琴演奏的二度创作过程中存在的问题 7
5.1对作品理解不足 7
5.2技巧运用不当 7
5.3缺乏个性特点 8
6.对扬琴演奏的二度创作过程的建议 8
6.1深入理解作品 8
6.2技巧与情感结合 9
6.3发挥个人风格 9
结论 10
参考文献 10
致谢 11